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Open a larger version of the following image in a popup: Christ the Saviour, 17th and 19th century

Christ the Saviour, 17th and 19th century

Russian. Egg tempera and gesso on wood
31.5 x 26.5cm
no. 3027
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Inscription in Church Slavonic: Obrazh Vserderzhitel – image of the Almighty

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Such small half-length or shoulder-length images are for private prayer and would be used in a domestic setting. A traditional Russian Orthodox house would have a special shrine or ‘beautiful corner’ (krasnuiy ugol) in the main room consisting of a shelf or shelves across the angle in the corner on which were family icons: Christ, the Mother of God, Saint Nicholas, name saints of family members and others icons of special significance to that particular household. A person entering would venerate the icons (bowing towards them and crossing themselves) before greeting the people in the room.

The church authorities had decreed that Andrei Rublev’s famous prototype, painted in 1408, should be used as a model by icon painters. The form of painting varies little from the 16th to the 19th century.

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Provenance

Private collection, Switzerland

Exhibitions

Spring 2024
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The Temple Gallery, 6 Clarendon Cross, London, W11 4AP

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